Klaudia Marr Gallery · Est. 2014

Contemporary fine art, curated with intent.

A thoughtfully assembled collection of paintings, sculpture and works on paper from emerging and mid-career artists working across Europe, North America and East Asia.

142 Living Artists Represented
28 Exhibitions Curated Yearly
11 Countries in Our Network
94% Works Sold to Private Collectors
Now on View · Gallery I

"Quiet Cartographies" — eight painters reconsider the landscape.

Our spring exhibition brings together eight painters who treat landscape not as subject but as evidence of looking. Through layered oil, graphite, dyed linen and patinated metal leaf, each artist charts a personal terrain that resists easy reading.

Dates 14 March – 18 May
Opening Thu · 13 March · 6–9 pm
Works 34 pieces · 8 artists
Plan Your Visit
Curated Collections

Six themes, each shaped by a single curatorial idea.

Our collections are assembled slowly and revised often. Each brings together works that share a sensibility rather than a school — a way of seeing, a chosen material, a recurring question.

Collection 01

The Long Landscape

Twelve painters who treat terrain as a record of time, not a view.

12 works View →
Collection 02

Pigment & Patience

Oils built over months: works that reward long, quiet looking.

18 works View →
Collection 03

Works on Paper

Drawings, monotypes and collage from 14 artists at every career stage.

24 works View →
Collection 04

Sculpture & Form

Bronze, patinated steel, and hand-built ceramic from seven studios.

9 works View →
Collection 05

Emerging Voices

First and second solo presentations from artists we began showing in 2022.

16 works View →
Collection 06

Quiet Geometries

Reduction, symmetry, and the long gaze — abstract works made to outlast trends.

11 works View →
For Collectors & Institutions

Six ways we work with the people who collect and commission art.

Beyond the exhibition calendar, Klaudia Marr Gallery offers a quiet, considered set of services for private collectors, interior designers, and acquiring institutions.

Private Sales

Discreet acquisition of works from our inventory and from estates we represent, with full provenance documentation.

Curatorial Search

Targeted research for collectors seeking a specific sensibility, medium, or period from emerging or historical makers.

Collection Advisory

Long-term planning around acquisition, conservation, and rotation of works for private and corporate collections.

Commissioned Projects

Facilitation of site-specific work for hospitality, healthcare, and residential architecture, from concept to install.

Institutional Loans

Coordination of loans from represented artists' estates to museums, biennials, and traveling group exhibitions.

Studio Visits

Scheduled visits to artist studios across Europe and North America, arranged privately for our top 40 collectors.

How a work enters the gallery

From studio wall to collector's room — a careful, five-step path.

01

Studio Discovery

We visit artists in their studios on a rotating schedule, returning over years before deciding to represent.

02

Conservation Review

Every work is examined by a conservator before it enters the gallery, with full condition reports on file.

03

Curated Placement

Works are hung in a specific order for a reason — pairing, sequence, and lighting are part of the work.

04

Collector Match

We introduce works to collectors whose history and taste align with the artist, never through mass mailing.

05

White-Glove Delivery

Specialist handling, climate-controlled transport, and installation by our own team in any European city.

From Our Collectors

What people say after the work has been living with them for years.

"Six years on, the Vermeulen I bought from Klaudia's first solo show is still the painting I look at longest. That is the test."
Eleanor Ashby
Private collector · London
"We commissioned three works for a hotel lobby in Copenhagen. Klaudia's team handled artist selection, site visits, and install without a single phone call from me."
Mikkel Refsgaard
Design lead · Studio Refsgaard
"Their curatorial eye is what keeps me coming back. The hanging here has a quality I associate with museums, not commercial galleries."
Júlia Okonkwo
Curator · Helmsley Foundation